On Set

because of time restraintes the short film i am currently woring on will be the first

that i cannot be on set for all times during filming, its a strange feeling. its not

just lack of control over last minute changes and the look but also that i

genuinlly enjoy being on sets.the long hours, tensions, pressure and wierd food

dont bother me. i like watching all the little bits that everyone involved has worked

seperatlyon come together. below are a backstage photos from different projects.

Hazel- me and make up (holly) getting lead actress shian denovan ready for the

tourture scene.the holes and slashes in the dress has to match up with make-ups false

cuts and burns... hence the two of us working simultainiously up in the

wardrobe/costume room.

shian being kept warm between takes.

filming the sunbathing scene. in april. in november.

black and white photographs by Marianne Dillon.

holly and a prop cake. first day of filming and meeting everyone at hazel.


Keeping warm and rehursing at the same time.
on set for Stopover in the hills of scotland.

Walt - stills photographer attacking the wood block.

we spent a week and a bit living in the cottage we filmed in....

One of the two Juliens i worked with several times in edinburgh.

the other would be julian krubasik, director of Flashed.

Philipe, Director of Last Supper, watches play back in the dark of the set.

Attempting to plaster/paint the set.

Boots and shoes waiting for a second layer of mud.

Break between filming for Flashed.

Rapid change costume and make up for Flashed.

the end.